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Perhaps it's weird to think this way, but when certain interviews were offered during my years at the Akron Beacon Journal and the Providence Journal I would jump to conclusions about the status of the celebrity involved.

Both newspapers were excellent, but also medium-sized and located in cities that were overshadowed by a larger neighbor to the north. In the 1960s, for example, Cleveland, an hour's drive from Akron, was one of the largest cities in the country. Many consider Providence a suburb of Boston.

When publicists offered certain interviews I regarded their phone calls in baseball terms – the celebrities in question had just been sent down to the minors. Granted, publicists knew in the 1960s that an article in the Beacon Journal's television magazine would be laid out in such a way that it looked terrific in a scrapbook. So if a collection of clippings was proof of a job well done, then by all means call Akron. We once gave superstar treatment to a performing chimp called Bongo Bailey. But our readership was small compared to the Cleveland Press or the Cleveland Plain Dealer.

In 1967 I was very surprised to be offered an interview with Bobby Darin, a singer who just a few years ago was being compared with Frank Sinatra, which was the ultimate compliment. Darin went Hollywood, made some films, married Sandra Dee, then was divorced in 1967, the same year as my interview ... during which his relationship with Dee is never mentioned. I can't say for sure this was the case, but my hunch is that one of the conditions of the interview was that I could not ask any questions about the marriage, which had been fuel for speculation and rumor from day one. Darin and Dee were their generation's answer to Brad Pitt and Jennifer Anniston.

Darin, with a reputation for being incredibly cocky, was personable and seemingly candid during the interview, which admittedly avoided the most sensitive subject. He was starting his career all over again, and was much more likable the second time around, though still certain he would make good his prediction that he would become a legend in his own time.

Tragically, Darin's time was running out much faster than anyone could imagine. He had a heart condition that required surgery in 1971. He never fully recovered, but kept performing. Unexpectedly, complications arose. He died in December, 1973.

 

Akron Beacon Journal, February 26, 1967

“I want to establish myself as a legend by the time I’m 25.”
– Bobby Darin, 1959

By JACK MAJOR

No matter what people think of Bobby Darin, they all agree on one thing – Bobby-boy has a big, fat mouth.

Even Darin agrees on that.

That’s what make him so lovable – like Muhammad Ali, Howard Cosell, Joyce Brothers, Richard Nixon and William F. Buckley Jr.

And as one of the Lovables, Darin finds himself target of much criticism ... and, inevitably, much misunderstanding.

DARIN CALLED the Beacon Journal last week to plug Thursday’s “Stage 67” presentation, “Rodgers and Hart Today.”

The program is intended to show how the music of Richard Rodgers and Lorenz Hart is alive and vital today, and the proof will be in the performances of contemporary artists such as Darin, Petula Clark, the Doodletown Pipers, the Supremes, and the Mamas and Papas.

So Darin got that bit of business out of the way first.

“I’m not sure if the program comes together,” he said, “but, then, I’m not sure it’s supposed to. The fact is the program is just 60 minutes of great music. There isn’t a word of dialog in it.”

Thus there’s no long narration about the lives of the composers, nor is there an attempt to wrap the program in a neat little ball at the end an say, there, didn’t we prove our point? And that’s what Darin meant by “comes together.”

WITH THAT out of the way, Darin opened discussion of his favorite subject – himself.

In the past Darin’s candor and confidence – okay, his cockiness – hurt his image. That statement about becoming a legend came back to haunt him. It’s safe to say many familiar with Darin were delighted when the singer’s career stalled in the 1960s.

Darin, now 30, is still candid and confident, but easier to take. Age has mellowed him a bit.

“I can say, okay, I didn’t make the legend. But if I were 23 again, I’d still say it. And I’d still mean it.”

DARIN’S TROUBLE – and it’s something that bothers others more than it does him – is he sees nothing wrong with being forthright.

“I don’t try to hide anything. We all set goals for ourselves, aiming for what we want to achieve in life. Therefore we follow our own ambitions. It happens that mine are high.”

Darin’s open-mouth policy earned him bad publicity, especially in the early ‘60s when he was still considered, essentially, a teenage idol. Few grown-up writers seemed ready to accept the cocky kid as the next Frank Sinatra.

That bad publicity has faded, and so has Darin’s popularity.

“I HAVE re-evaluated my talent and my career,” he said. “The biggest disappointment has been in my movie career. I’ve made a lot of mistakes.

“I’m really only proud of my work in ‘Pressure Point’ and ‘Captain Newman.’ Significantly, those are the only two pictures I chose for myself. The others I had to do as part of a contract I signed many years ago.

“Wait, I take that back. I also picked ‘State Fair,’ because I thought it would be a good revival and be good for my career. I was wrong on both counts.”

DARIN’S LATEST film – and his last under an old contract – is “Gunfight at Abilene,” a Western (obviously) that will be released in the spring.

“I’ve always wanted to do a Western,” he said. “Its merits as a movie? I’m not prepared to say.”

(Translation: It’s a dog.)

Darin will plan his movie future with much more care than he has shown in the past. He hopes to handpick his material, and has already signed a writer to do a screenplay from a story the singer bought last year.

DARIN ALSO has other irons in the fire.

“I’m about to begin an eight-week nightclub tour, and I’m also going to meet with Johnny Mercer on the possibility of doing a Broadway show with him.”

I asked whether he felt he was hurting his chances for success in movies by spreading himself thin over other areas.

“Maybe,” he replied, “but I must express myself in various ways – to create on all levels. I couldn’t be happy by concentrating on movies alone. Neither could I be happy to spend the rest of my life snapping my fingers and singing songs.”

SO DARIN does both. He also writes songs and produces records for other artists. He enjoys letting his creative juices flow when and where they may. If this postpones the establishment of the Bobby Darin legend, so be it. He’s still convinced he’ll reach his goal.

“Tenacity will do it. Tenacity plus talent will bring to the public’s attention – eventually – that the talent exists. Look at Dean Martin. He’s doing the same thing now he was doing years ago. It just took the public a long time to realize how good he is.”

The way Darin has it figured, his time will come.

 

 

Also . . .
Don Adams Patty Duke Ricardo Montalban
Herb Alpert Richard Egan George Montgomery
Dana Andrews Jack Elam Joanna Moore
John Astin Linda Evans Mary Tyler Moore
Frankie Avalon Pat Finley Ozzie and Harriet Nelson
Barbara Barrie Eric Fleming Hugh O'Brian
Bill Bixby Peter Fonda Pat O'Brien
George Burns Anthony Franciosa Gene Pitney
Michael Callan Annette Funicello Martha Raye
Richard Chamberlain Zsa Zsa Gabor Della Reese
Leslie Charleson Beverly Garland Carl Reiner
Petula Clark Jackie Gleason Barbara Rush
Dabney Coleman Merv Griffin Robert Ryan
Robert Conrad Mark Harman Henry Silva
Bill Cosby Patricia Harty Julie Sommars
Joseph Cotten Marty Ingels Barbra Streisand
Bob Crane Jack Jones The Three Stooges
Richard Crenna Jack Kelly The Supremes
Ken Curtis Dave Ketchum Dick Van Dyke
Bill Dana Sue Ane Langdon Jerry Van Dyke
Bobby Darin Sheldon Leonard Robert Vaughn
Sammy Davis Jr. Jack Lord Clint Walker
Richard Deacon George Maharis Ray Walston
Bob Denver Jackie Mason Betty White
James Drury Raymond Massey Andy Williams
  Martin Milner Henry Winkler
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